SEARCH RESULTS FOR: Howard Hanson
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1896–1981 American composer Hanson’s symphonies suggest an American Sibelius; his choral music is grandly optimistic (Song of Democracy, 1957; Songs of Human Rights, 1963) and his opera, Merry Mount, was well received at its premiere in 1933. He was Director of the Eastman School of Music for many years, where he made a notable reputation as ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Bandleaders, 1940s) Curley Williams (1914–70) and Paul Howard (1908–84) were – outside of Pee Wee King – the chief exponents of western swing east of the Mississippi during the music’s 1940s heyday. Both led excellent, hot bands on the Grand Ole Opry and both found it necessary to leave the Opry in order to play the music they wanted ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Songwriter, vocals, guitar, 1929–2002) Harlan Howard, inspired by Ernest Tubb, first began reaping his songwriting rewards in the late 1950s. ‘Pick Me Up On Your Way Down’ (1958) was his first hit when recorded by Charlie Walker, followed by ‘Heartaches By The Number’ (1959), which covered country and pop by Ray Price and Guy Mitchell ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group, 1992–present) Like The Cowsills and The Jacksons, Hanson was a band of brothers. Based in Tulsa, Isaac, Taylor and Zac began playing together as children and by 1992 tried to break into the music business. It was not until 1997 they began to score hits with refreshing and sophisticated pop songs like ‘MMMBop’, ‘Where’s The ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

1882–1961 Australian composer Influenced by Grieg and by Delius, Grainger spent his early years as a concert pianist and, after that, in the US as a teacher. He was also particularly interested in folksong and much of his output consists of arrangements of such pieces. He is best known for such brief and catchy pieces as ‘Country Gardens’ ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Just as sports have their pantheon of greats, the country-music industry established its own Hall Of Fame in 1961 to honour its most influential figures and deepen public understanding and appreciation of the music’s rich heritage and history. A Pantheon Of Country Stars As of 2005, 62 artists and industry leaders – starting with Jimmie Rodgers (1897–1933) and songwriter ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The piano has occupied a special place in music and, since the advent of amplification, musicians have sought ways in which its expressive, versatile sound could be made louder in order to carry above the sound of other amplified instruments and also how it could be packaged into an instrument more easily transportable than the traditional acoustic piano. ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Sound effects and instruments trouvés include found objects and specialist machines for making noises. Composers have made extensive use of both sound effects and found objects in orchestral music, especially in music for theatre, dance and opera. Sound Effects The wind machine was originally a theatrical sound effect, and is a cylinder of wooden slats with a canvas ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Country music has been euphemistically called ‘white man’s blues’ or ‘the poetry of the common man’. While both descriptions have elements of truth, neither is quite accurate. It is, in fact, a broad, nebulous, over-reaching category with no exact boundaries or parameters. Over the decades country music has grown to encompass a greatly varied assortment of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

‘Alceste, or the Triumph of Alcide’ Composed in 1674, Lully’s Alceste, ou le triomphe d’Alcide, a tragédie lyrique with a prologue and five acts, had a double link with ancient Greek culture. The libretto, by Philippe Quinault, was based on Alcestis, a tragedy by the ancient Greek dramatist Euripides that in turn derived ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Although Bakersfield had already played host to a number of country-music artists, it was Buck Owens (1929–2006) who not only put it on the map, but also spread its name around the world. So great was his impact, some even called it ‘Buckersfield’. The Road To Bakersfield Hailing from Sherman, Texas, and born Alvis Edgar Owens ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Charlie Christian was the last great figure to emerge from the jazz scene of the 1930s. He not only brought a perfectly formed approach to his music, but also an entirely new musical platform – the electric guitar. His career in the big time was brief, but Christian was a lighthouse whose beam still illuminates anyone with serious intentions ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Songwriter, vocals, 1918–2006) The sophisticated songs of Cindy Walker were particularly attractive to western-swing performers like Bob Wills, whose recordings helped establish her as one of the top songwriters in country music. From Mart, Texas, Walker also sang, recorded and appeared in films with Texas Jim Lewis. Over time, she concentrated solely on writing ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Piano, b. 1920) The Dave Brubeck Quartet was one of the most successful jazz groups of all time; Brubeck’s fascination with unusual time signatures brought major hits with ‘Take Five’ (written by saxophonist Paul Desmond) and ‘Blue Rondo À La Turk’ in 1959. His recording of ‘Dialogues For Jazz Combo And Orchestra’, composed by his brother Howard, appeared the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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